Creative Design Digital Music Posts

CD Pressing, Design for CD Packaging and Social Media Graphics, Music Promotion, Digital Distribution, Social Media Support and more… Birnam Case Study

01/02/2017

CD Pressing, Design for CD Packaging and Social Media Graphics, Music Promotion, Digital Distribution, Social Media Support and more… Birnam Case Study

We’ve been working with independent musicians for over 30 years now and consider ourselves very privileged to be able to continue to work with a huge number of dedicated and talented musicians. We know that sustaining a career in the music industry is not easy and we like to think that we offer a complete service, supporting artists through all the stages of an album release and beyond.

A few folks have said that they thought we only offered CD, DVD and Vinyl pressing (well, we have built a reputation for that over the years). We actually do a whole lot more, so we’re introducing a few case studies to demonstrate and explain about the broad range of services that we offer.

The first case study features Liza Mulholland, an independent musician based north of Inverness. Liza came to us early in 2016 when she was planning her debut solo album. She wanted to have physical CDs in attractive packaging to sell at her gigs but also fancied the idea of the album being available to download and stream. She was keen to achieve widespread radio airplay as well as press and online reviews for her work. We discussed various packaging, design and promotion options and put together a full package covering all of Liza’s requirements.

You can read the case study HERE.

Liza gave us some really nice feedback, here’s a short excerpt:

‘Although technology and the internet have revolutionised the music business, making it much easier for musicians to release their own music, it still involves a lot of work. To be aided throughout the process, and relieved of much of the stress and hassle, has been a huge benefit and one that I would highly recommend. Self-releasing a solo album can feel a wee bit lonesome, with the burden of the whole project on your own shoulders; with Birnam CD at my side I felt like they were taking care of everything for me. Even better than that, I’m now getting nice reviews coming in and plays on radio stations I previously didn’t even know existed!’

Look out for a few further case studies over the coming year. We welcome, listen and pay attention to all feedback and we’re constantly striving for ways to build on and improve our services. In 2016 we revamped our website to make it more ‘user friendly’ and easier to navigate. We’ll be continuing to streamline and build on our range of services in the coming year and beyond, so please drop us an email with any suggestions or comments.

Creative Digital Live Music Music Posts

Looking Ahead in 2017

09/01/2017

And we’re back!

After a very relaxing festive period, all of us here at Birnam CD are primed, ready and looking forward to 2017.

The year just gone was our 30th year as a business, and also our most successful year to date. To flag up just a few of last year’s milestones, we produced and delivered a record amount of CDs, DVDs and vinyl, made more tracks and albums for more artists than ever before available for downloads and streaming, launched a host of new services, overhauled our website and saw our (now expanded) promotional packages have their most popular year to date. Now we are looking ahead to further progress in 2017.

An awful lot of the artists we have worked with have already confirmed that 2017 is going to be a very busy year. Here are just a few events we are currently eyeing up…..

Just round the corner is the world-renowned Celtic Connections festival. Last year, we delivered 16,000 CDs to a range of artists in time for their album launches at the festival. This year, the number of CDs being delivered is already up there (and we aren’t done yet). As always, we are looking forward to heading to Glasgow to attend a number of album launches, events and concerts throughout the festival. The full list of Birnam clients performing is – as in previous years – too huge to fit into a humble blog post, but we will be providing extensive coverage of what they are all up to at the festival through our social media channels on Facebook, Twitter, Pinterest and Google+.

Further down the line, the Scottish music scene in 2017 remains as rich and far-reaching as ever. TradFest returns to Edinburgh at the end of April and spills over into early May, providing some fantastic concerts and great networking opportunities. In May, the Orkney Folk Festival celebrates their 35th year, with Eddi Reader and Flook amongst the acts already confirmed. June sees Skerryvore’s “Oban Live” return for its second (well, technically third, but who’s counting?) year, with one of Scotland’s most renowned bands again joined by We Banjo 3 and Skipinnish, with many more acts yet to be announced. Out on the beautiful Isle of Lewis, HebCelt will be back in July, and already have Dougie Maclean, Skerryvore and Peatbog Faeries confirmed to appear. August brings two of Scotland’s most popular events with Belladrum Tartan Heart Festival, and the incomparable (and often inexplicable) Edinburgh Festival Fringe. Of course, all of these events are just a drop in the ocean when stacked up against the full wealth of Scotland’s music scene. Be sure you get out there and enjoy what Scotland has to offer in 2017.

As for Birnam CD, we have no intention of slowing down. We are working on several exciting new projects and services to roll out over this coming year. Unfortunately, we’ll have to keep tight lips for now, but expect to see some big announcements from us in 2017. Or, better still, sign up to our newsletter here and have news of new developments delivered straight to your inbox.

Creative Music

Christmas Songs – Copyright & Public Domain

23/11/2016

 

Christmas Songs – Copyright & Public Domain

When it comes to Christmas Songs, (not just Christmas songs but any songs) it’s important to check whether the song is copyrighted or whether it’s in the public domain – not all Christmas songs and carols are in the public domain and therefore licenses and permissions will be needed.

Just because a Christmas song/carol/hymn was written in 1934 does not necessarily mean it is in the public domain.

A Musical Work or Sound Recording is in the Public Domain when the copyright has expired. From the date that the copyright expires it is not controlled or owned by anyone. In the UK, the songwriter’s copyright lasts for 70 years after their death (musical works) and the recording artist’s copyright lasts for 50 years after their death. (prsformusic.com)

Songs in the public domain can be used without permission or credit to the original author however, this does not apply to copyrighted arrangements of songs in the public domain – songs that are copyrighted will require permission/licensing.

Christmas songs which are now in the public domain include:

Jingle Bells’ (James Pierpoint, 1857)

Good King Wenceslas (John M Neale, Thomas Helmore, 1853)

Holy & The Ivy (Henry R Brawley, John Stainer, 1871).

Hark! The Herald Angels Sing (G Whitefield, William H Cummings, 1840)

Christmas songs which are not in the public domain include:

Here Comes Santa Claus (Gene Autry, Oakley Halderman 1947)

White Christmas (Irving Berlin, 1942) – According to Wikipedia “White Christmas” is one of the most-recorded Christmas songs; there have been more than 500 recorded versions of the song, in several different languages.

Santa Claus Is Coming to Town (John F Coots, Haven Gillespie 1934). Recorded by many artists including Perry Como (in 1951), Michael Jackson (in 1970), Rod Stewart (2012) and Kylie Minogue (2015). In 2015, the Court of Appeals ruled that rights to “Santa Claus is Coming to Town,” the all-time most performed holiday song, will revert to the heirs of J. Fred Coots. Coots, along with fellow songwriter Haven Gillespie, wrote the song in 1934 and made a deal with Leo Feist, who ran a publishing company that was eventually acquired by EMI.

For more information and to check copyright/public domain information please visit PRS for Music and www.pdinfo.com

Creative Live Music Music

Nominations Shortlist – Scots Trad Music Awards

10/11/2016

Shortlist Nominations.

Shortlist nominations have been released for the 2016 MG ALBA Scots Trad Music Awards.  The 16 awards cover a wide range of categories and recognise the best Scottish trad talent across Scotland.  We sponsor the ‘Album of the Year’ and this years’ 10 nominations are all hugely talented musicians – we wish each of them good luck!

Public voting is open until Friday November 18th, place your vote HERE.

Winners will be announced at the Awards Ceremony on Saturday 3rd December, at the Caird Hall Dundee. The full list of nominees:

Album of the Year

Abyss by Talisk

Astar by Breabach

Brighter Still by Adam Holmes and The Embers

Hearts Broken, Heads Turned by Jarlath Henderson

Hello, Goodbye by John McCusker

Matter of Time by Dallahan

Songs of Separation by Songs of Separation

SYMBIOSIS by Ross Ainslie and Ali Hutton

The Hebridean Sessions by Daimh

The River by Hamish Napier

Composer of the Year – Sponsored by PRS for Music

Graham MacKenzie

Hamish Napier

Kris Drever

Freeland Barbour

Mairearad Green

Joe Armstrong

Community Project of the Year – Sponsored by the Gordon Duncan Memorial Trust

Merlin Academy of Traditional Music

Feis Rois Life Long Learning Project

Fuaran – Fèisean nan Gàidheal

Friends of Wighton

Event of the Year – Sponsored by VisitScotland

Piping Live

Orkney Folk Festival

Pulse

Hamish Feature Film

Gaelic Singer of the Year – Sponsored by Macmeanmna

Ellen MacDonald

Calum Ross

Joy Dunlop

Kaela Rowan

Instrumentalist of the Year – Sponsored by the Royal Scottish Country Dance Society

Tony McManus

Innes White

Mohsen Amini

Rachel Newton

Craig Paton

Live Act of the Year – Sponsored by Greentrax Recordings

Blazin’ Fiddles

Elephant Sessions

Mànran

Niteworks

Skerryvore

Treacherous Orchestra

Citty Finlayson Scots Singer of the Year – Sponsored by the Traditional Music & Song Association of Scotland

Simon Gall

Lori Watson

Hector Riddell

Shona Donaldson

Up and Coming Artist of the Year – Sponsored by the Royal Conservatoire of Scotland

Dosca

Top Floor Taivers

Ryan Young

Tannara

Club of the Year – Sponsored by Traditional Arts and Culture Scotland

Stonehaven Folk Club

Dundee Acoustic Music Club

Rolling Hills Folk Club

Mauchlin Accordion and Fiddle Club

Scottish Dance Band of the Year – Sponsored by the National Association of Accordion and Fiddle Clubs

Trail West

Sixties Bairns

Peter Wood Shetland Dance Band

Lomond Ceilidh Band

Folk Band of the Year – Sponsored by Threads of Sound

Rura

Rant

Barluath

Breabach

Scottish Pipe Band of the Year – Sponsored by The Glenturret Single Malt Whisky

North Lanarkshire Schools Pipe Band

Police Scotland Fife Pipe Band

Johnstone Pipe Band

Stirling and District Schools Pipe Band

Trad Music in the Media – Sponsored by Skippinish

Scots Radio Podcast

Take the floor

fRoots

Fresh Folk

Music Tutor of the Year – Sponsored by Creative Scotland Youth Music Initiative

Jim Hunter

Simon Chadwick

Daniel Thorpe

Mhairi Marwick

Lynsey Tait

Rachel Hair

Venue of the Year – Sponsored by the Musicians’ Union

The Cat Strand

The Reel, Orkney

The Glad Café

Drouthy Cobbler, Elgin

To find out more about the Scots Trad Music Awards visit : scotstradmusicawards

To book tickets for the Award Ceremony please visit: www.dundeebox.co.uk

Live Music Music

Scots Trad Music Awards

07/10/2016

 

MG ALBA Scots Trad Music Awards

The MG ALBA Scots Trad Music Awards is an annual event which takes place in December. The 2016 award ceremony will be held in the Caird Hall, Dundee on 3rd December. The awards highlight Scotland’s wealth of traditional music in all its forms and aims to create a high profile opportunity to bring the music and music industry into the spotlight of media and public attention.

There are 16 categories of awards, including Live Act of the Year, Album of the Year, Composer of the Year, Instrumentalist of the Year and Gaelic Singer of the Year.  Winners of the awards will be unveiled at the awards ceremony in December.

Public voting is open until Friday 14th October – To nominate your favourite acts and organisations VOTE HERE

To find out more about the Scots Trad Music Awards visit : scotstradmusicawards

To book tickets for the Award Ceremony please visit: www.dundeebox.co.uk

Creative Design Music

CD Printing – using a white base

19/08/2016

 

CD Printing – using a white base

A CD disc has 3 different areas and the surface of each area is different. There is the main playing area, made from polycarbonate plastic which is coated in silver on the non-playing side, an ID ring – which is a shiny metallic silver colour printed onto the inner plastic ring – and a clear plastic hub. The recordable surface and ID ring are not constant silvers, and if you are not using a white base then the different areas can significantly affect any finished design.

A white base is used to provide a neutral base layer and covers the ID ring and inner plastic hub. It basically acts like white paper, providing an even surface for more accurate colour printing. When printing CMYK onto CDs we would recommend that you specify a white base as printing CMYK onto a disc without a white base results in a washed out finish.

If you would like your disc design to include some ‘silver disc shine through’ either the basic silver shine through or some part of the design/colours printed direct onto the silver disc then we would suggest you use a custom white base. You will need to supply 2 different artwork files – one with your full design which will be printed onto a white base, and another showing just the area you would like knocked out. Remember, if you are undertaking this then it is important that the 2 separate artwork files are accurate, if there are any spaces or overlaps between the white base design and the second knocked out design then the end result will mean that the finished disc design will have outlines or halos, the colours will be different if any overlap is present and the design will not look sharp – so it can be a bit tricky.

We would generally recommend using a white base for disc printing. Give us a call if you need any more information – we’re always happy to help.

Music

CD Packaging explained

27/04/2016

A wide range of CD packaging can seem confusing – so much choice! We thought it would be useful to briefly explain the different types of packaging.

Please have a quick look at the information below or visit CD Packaging & Quote to view the wide range of CD packaging options.

Jewel Case – A jewel case is, for many, considered to be a standard CD package. It has a hard clear plastic body with a plastic tray card to hold the CD. Jewel cases can hold a single insert printed both sides or booklets that can range from anything from 4 to 32 pages. The inlay, which sits in the rear of the case (underneath the plastic tray) can be printed on one side, or both sides if you would like a design / image to show through a clear tray. The outer side of the inlay (which is the back of the jewel case) usually includes details of the track titles and timings, the barcode and copyright details.

Digipak – A digipak is mainly a card package, although it does incorporate a plastic CD tray. The most common digipak has 4 panels with the CD tray attached to the inside right panel. Most of our clients prefer a clear tray as this then allows for the use of an image / design underneath the tray. Booklets (usually from 4 – 32 pages, although larger booklets are possible) can be included and can sit either in a sleeve or in a slot in the inside left page. Standard digipaks can be supplied with 4, 6 or 8 panels, making it possible to hold up 4 CDs plus booklets.

Digfiles and digisleeves are environmentally-friendly plastic-free packaging options.

Digifiles – The most common digifile we are asked to supply has 4 panels with a slit on the inside right panel for the CD to slot into leaving half of the disc visible. If you have a lot of information to include and require a separate booklet, the inside left page can be made to include a slit to house a booklet (4 -32 pages or more if needed), or a second disc slit for double-disc packages. Most digifiles have 4, 6 or 8 panels, can be supplied with or without booklets, and can hold anything from 1 to 4 discs.

Digisleeves – A digisleeve is a bit like a scaled-down version of a double vinyl sleeve where the CD slots into a sleeve, usually from the outer edge* of the right hand side – we consider this to be our standard digisleeve. A 4 panel digisleeve can include a second sleeve on the left hand panel where a booklet (usually 4 – 32 pages), or a second disc, can slot in from the outer edge* on the left hand side. Like digipaks and digifiles, digisleeves can be produced as a 4, 6 or 8 panel version, with or without booklets, and can hold up to 4 discs.
*there is also a version of the digisleeve where the sleeve openings are at either side of the inner spine rather than at the outer edges.

The digipak, digifile and digisleeve are all very popular packaging options these days. Choosing the right packaging for your project will depend on how
much information and images you would like to include. With the digipak and digifile, one of the panels needs to be used for either the plastic tray (digipak) or a slit (digifile) to hold a CD. We find that the digisleeve is increasingly popular because it allows for information /images to be printed on all 4, 6 or 8 panels.

A very basic, but extremely popular, packaging option is the Card Wallet, a single wallet printed front and back with an opening either at the side or the top where a disc can slip in and out. These are often used for EPs, demos and for CDs distributed along with newspapers or magazines.

Have a look at our CD packaging page to view a small sample of the available options. Please give us a call (01350 727158) to discuss anything, we’re always happy to help.

Live Music Music Posts

Record Store Day

07/04/2016

Record Store Day 16.4.16

Record Store Day was started in 2007 when over 700 independent stores in the USA came together to celebrate their own unique culture. The independent music sector in the UK followed the USA trend and this year will be the ninth year of events. Record Stores across the country organise events including performances, meet and greet with artists, DJ’s and many other one of unique events.

Celebrating the UK’s independent record shops – the independent record stores are not tied to any big record labels and the day provides an opportunity for them to promote themselves and the huge variety of music which they cover. Record stores across the UK participate – shops in Glasgow, Renfrewshire, Stirling, Kilwinning, Ayr, Edinburgh and Perth are organising events, to find out what’s happening locally in your area visit  Record Store Day

Record Store Day is recognised as contributing to the Vinyl revival. Many thought that Vinyl (and CD) sales would be affected by the increasing move to digital but what we are finding is that digital music in many cases supports and encourages Vinyl (and CD) sales. People are listening to music online and choosing to purchase a physical copy, Vinyl is seen by many as a collectable art….so, the vinyl revival continues. According to the 2015 BPI Music Marketing Report, 2.1 million LPs were purchased in 2015, representing a 64% increase on previous years and a 21 year high.

 

 

Uncategorized

BIRNAM CD TURNS 30 YEARS OLD!

11/02/2016

 

BIRNAM CD TURNS 30 YEARS OLD!

 

We ‘re finding it a bit hard to believe, but 2016 really is our 30th anniversary year.*

In the spare room of a farm cottage near Galashiels in the Scottish Borders, “Birnam Tapes” made a very humble start in 1986, armed with a reel-to-reel tape recorder + ten cassette decks. Our first job was to produce 250 cassette albums for the Scottish folk trio “Blackeyed Biddy”.

The independent music scene has grown substantially since then and we’ve grown with it. After a couple of name changes (Birnam Cassette Duplication, Birnam CD), we are now “Birnam CD Limited” and, to kick-start 2016, we have already made and delivered a total of 16,000 CDs just for clients launching new albums at January’s Celtic Connections Festival in Glasgow.

And we have a great list of top-notch projects lined up for the months to come.

So, as we look forward to what is a special year for us, we would like to thank all of our clients, both past and present, for having entrusted us with their creativity, both musical and visual.

We’ll be looking back as well as forward in the coming year and, from time to time, posting some images from our early days right up to the present.

* To put this into a bit of context, the year we established the business was the same year that:

The UK & France announced plans to build a Channel Tunnel;

Argentina, helped by Maradonna’s “Hand of God” goal, went on to win the World Cup in Mexico;

Desmond Tutu became South Africa’s first black Anglican Church bishop;

The M25 was officially opened

and

Matt Groening created The Simpsons.

Music

Copyright – some things you should know

11/09/2015

Copyright – some things you should know

We are often approached by our clients with requests for information on the subject of copyright and / or publishing royalties.
When releasing a single, EP or album, it is obviously important that you comply with the law surrounding these issues.
Here are a few of the more common questions we are asked with a bit of (hopefully) helpful information in reply to each point.
Please note that, to avoid repeating the options, we have assumed that the product being produced is a CD album.

“What is MCPS?”.
MCPS stands for the Mechanical Copyright Protection Society. The society represents the mechanical rights of its members (composers, songwriters, publishers). When one of its members’ works is recorded and reproduced as a physical product such as CD, vinyl, cassette etc., MCPS will collect the due royalties and pass these payments on to the member(s).
The society administers a range of licences depending on the type of release.
If you plan to release a CD album, for example, you must apply to MCPS for the appropriate licence.

“How do I do that?”
You first register with MCPS so that they can supply you with an account number and log-in details enabling you to access the online application form. The most common licence used is called an AP2. You will be asked to provide a number of details such as artist name, album title, quantity to be manufactured and, most importantly, a list of the track titles and, if known, the composers and publishers for each. Don’t worry if you don’t have all of the requested information – supply as much information as you can and the MCPS database will almost certainly fill in the blanks. You will also be asked to confirm the selling price for the album, as any royalties payable are based on a percentage of the selling price. This can be either the “Retail Price”, i.e. the price you intend to sell the album for direct at your performances or the “Dealer Price” – this is the unit price which a shop would pay to purchase copies.

“Do I have to pay royalties on all the CDs produced?”
No, on the first pressing of any album, you are entitled to claim a “promotional” allowance of 25%, up to a maximum of 250 units. Royalties are not charged on these copies, but there are certain conditions attached to this, most notably that the promotional copies must be clearly marked as such and that they must not be offered for sale.

“What if I / we wrote all the songs on the album?”
If all the material on the planned release is original, and has not been published, then MCPS will have no claim in respect of royalty payments. However, you must still submit a licence application to confirm that no royalties are due. If this is the case, then MCPS will issue a “Notification of No Claim”, confirming that you are not liable for any royalty payments.
The same will apply if the recorded material is in the Public Domain (exempt from royalty payments as the composer has been dead for at least 70 years).

“Do I need a new licence if I ask for more CDs to be made in future?”
Yes, you must provide a licence to cover every CD manufactured. MCPS will supply a “re-press licence application” form when the original licence is issued. This is a simpler form to be used when more discs are required.
Please note, this doesn’t apply if you were issued with a “Notification of No Claim” for your first order of the album in question. So long as none of the circumstances have changed (none of the songs / tunes have been assigned to a publisher since the original pressing), then the “No Claim” will cover as many discs as you want to press.

For more information check out these links:
http://www.prsformusic.com/users/recordedmedia/Pages/default.aspx
https://en.wikipedia.org/wiki/Mechanical-Copyright_Protection_Society#cite_ref-2
http://www.fairwagelawyers.com/most-famous-music-copyright-infringment.html